It would be difficult to exaggerate the value of this addition to the artist’s palette. The colour of viridian is a very deep bluish green of great purity and transparency. It furnishes, with aureolin on the one hand and with ultramarine on the other, an immense number of beautiful hues, adapted to represent the colours of vegetation and of water.
1890, Arthur Herbert Church, chapter 16, in The Chemistry of Paints and Painting, 3rd edition, London: Seeley & Co., published 1901, page 195